But something eery happened recently that was very likely channeling something or someone. And I have a witness.
Conductor, Scott Dunn sat with me for several days going over the orchestration of my opera [on my computer using notation/playback software called Sibelius] with meticulous detail. While going over part of Act 2, I heard an amazing countermelody. I tried to not say anything. I scrolled to look at the horn part as the countermelody was in the horns. There was nothing there. I played it again. There was a fabulous countermelody in the horns. But there was not a single note in the horn part.
I asked Scott whether he heard it and he said “yes.” I grilled him on the exact notes and what instrument it was in and he got it spot on. I exclaimed “OK OK, I’ll put it in.” So I put in the channeled horn countermelody. We have no idea who it was. But it’s in the music now. And I have a witness.
It must have been Rosemary Brown playing tricks on me again.
[Photos: Georges Bizet, composer of “Carmen”; Leonard Bernstein, composer of “West Side Story”: Godfathers of “La Paloma y el Ruiseñor”.]