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	<title>Comments on: Omigod! I heard Madonna last night!</title>
	<atom:link href="http://rogerbourland.com/blog/2006/05/25/omigod-i-heard-madonna-last-night/feed/" rel="self" type="application/rss+xml" />
	<link>http://rogerbourland.com/blog/2006/05/25/omigod-i-heard-madonna-last-night/</link>
	<description>Roger Bourland writes about music and life</description>
	<pubDate>Thu, 20 Nov 2008 09:37:03 +0000</pubDate>
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		<title>By: Clive Davis</title>
		<link>http://rogerbourland.com/blog/2006/05/25/omigod-i-heard-madonna-last-night/#comment-452</link>
		<dc:creator>Clive Davis</dc:creator>
		<pubDate>Sat, 27 May 2006 16:13:19 +0000</pubDate>
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		<description>&lt;strong&gt;MUSIC BOX&lt;/strong&gt; [from Clive Davis's blog]
&lt;div class="entry-body"&gt;Other items worth checking... Terry Teachout has a great time &lt;a href="http://www.artsjournal.com/aboutlastnight/archives20060521.shtml#106494"&gt;listening &lt;/a&gt;to pianist Roger Kellaway at the Jazz Standard... Dylan-watcher Right Wing Bob reconsiders the case of the &lt;a href="http://rightwingbob.com/weblog/archives/431"&gt;Dixie Chicks&lt;/a&gt;: free speech martyrs or plain dumb? ... On An Overgrown Path listens to works inspired by the mystic &lt;a href="http://theovergrownpath.blogspot.com/2006/05/medieval-mystics-with-musical.html"&gt;St Julian of Norwich&lt;/a&gt;... Jerry Bowles assembles a handy pot pourri of music sites at &lt;a href="http://www.blognoggle.com/classical.html"&gt;blognoggle&lt;/a&gt; (Via &lt;a href="http://www.artsjournal.com/rifftides/archives/2006/05/elsewhere_in_th_1.html"&gt;Rifftides&lt;/a&gt;.) ... National Review runs a quixotic &lt;a href="http://article.nationalreview.com/?q=NzZkNDU5MmViNzVjNzkzMDE3NzNlN2MyZjRjYTk4YjE="&gt;list&lt;/a&gt; of "the best conservative rock songs of all time". &lt;em&gt;Won't Get Fooled Again&lt;/em&gt; comes top. (What would Pete Townshend say?) &lt;em&gt;Stand By Your Man&lt;/em&gt; scrapes in at Number 50... Finally, &lt;a href="http://rogerbourland.com/blog/2006/05/25/omigod-i-heard-madonna-last-night/"&gt;blogger-composer&lt;/a&gt; Roger Bourland manages to enjoy a concert by the Queen of Schlock. Each to his own:
&lt;blockquote dir="ltr"&gt;&lt;em&gt;Madonna ripped off Rufus Wainwright’s stage prop of a cross for several numbers. Madonna’s was bigger, more hi-tech, and more expensive. The music was so loud I couldn’t tell whether anyone booed or not...The LA Times review commented on the return of the leotard. I guess that explains why this dude at the end of our row was wearing one.&lt;/em&gt;&lt;/blockquote&gt;
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		<content:encoded><![CDATA[<p><strong>MUSIC BOX</strong> [from Clive Davis's blog]</p>
<div class="entry-body">Other items worth checking&#8230; Terry Teachout has a great time <a href="http://www.artsjournal.com/aboutlastnight/archives20060521.shtml#106494">listening </a>to pianist Roger Kellaway at the Jazz Standard&#8230; Dylan-watcher Right Wing Bob reconsiders the case of the <a href="http://rightwingbob.com/weblog/archives/431">Dixie Chicks</a>: free speech martyrs or plain dumb? &#8230; On An Overgrown Path listens to works inspired by the mystic <a href="http://theovergrownpath.blogspot.com/2006/05/medieval-mystics-with-musical.html">St Julian of Norwich</a>&#8230; Jerry Bowles assembles a handy pot pourri of music sites at <a href="http://www.blognoggle.com/classical.html">blognoggle</a> (Via <a href="http://www.artsjournal.com/rifftides/archives/2006/05/elsewhere_in_th_1.html">Rifftides</a>.) &#8230; National Review runs a quixotic <a href="http://article.nationalreview.com/?q=NzZkNDU5MmViNzVjNzkzMDE3NzNlN2MyZjRjYTk4YjE=">list</a> of &#8220;the best conservative rock songs of all time&#8221;. <em>Won&#8217;t Get Fooled Again</em> comes top. (What would Pete Townshend say?) <em>Stand By Your Man</em> scrapes in at Number 50&#8230; Finally, <a href="http://rogerbourland.com/blog/2006/05/25/omigod-i-heard-madonna-last-night/">blogger-composer</a> Roger Bourland manages to enjoy a concert by the Queen of Schlock. Each to his own:</p>
<blockquote dir="ltr"><p><em>Madonna ripped off Rufus Wainwright’s stage prop of a cross for several numbers. Madonna’s was bigger, more hi-tech, and more expensive. The music was so loud I couldn’t tell whether anyone booed or not&#8230;The LA Times review commented on the return of the leotard. I guess that explains why this dude at the end of our row was wearing one.</em></p></blockquote>
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