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	<title>Comments on: Emotional goose bumps</title>
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	<link>http://rogerbourland.com/blog/2006/08/04/emotional-goose-bumps/</link>
	<description>Roger Bourland writes about music and life</description>
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		<title>By: About the Composer &#187; Something For Everyone in &#8220;Sparrows&#8221;</title>
		<link>http://rogerbourland.com/blog/2006/08/04/emotional-goose-bumps/comment-page-1/#comment-6507</link>
		<dc:creator>About the Composer &#187; Something For Everyone in &#8220;Sparrows&#8221;</dc:creator>
		<pubDate>Tue, 15 Aug 2006 20:26:24 +0000</pubDate>
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		<description>[...] If anything, my own closed-mindedness is exactly the opposite. I rarely enjoy music where the emotional content is not driven by harmony; where it&#8217;s all about timbre and nothing else. (Although, for some reason, I do quite like Varèse.) My mind wanders during 12-tone music, and music that&#8217;s all about timbre and/or atmosphere, like that of George Crumb, for example. Harmony —not necessarily tonality— is the key to activating the listener&#8217;s Emotional Goose Bumps. [...]</description>
		<content:encoded><![CDATA[<p>[...] If anything, my own closed-mindedness is exactly the opposite. I rarely enjoy music where the emotional content is not driven by harmony; where it&#8217;s all about timbre and nothing else. (Although, for some reason, I do quite like Varèse.) My mind wanders during 12-tone music, and music that&#8217;s all about timbre and/or atmosphere, like that of George Crumb, for example. Harmony —not necessarily tonality— is the key to activating the listener&#8217;s Emotional Goose Bumps. [...]</p>
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