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	<title>Comments on: Many voices</title>
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	<link>http://rogerbourland.com/blog/2008/05/21/many-voices/</link>
	<description>Roger Bourland writes about music and life</description>
	<pubDate>Wed, 19 Nov 2008 22:06:40 +0000</pubDate>
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		<title>By: Michael Kaulkin: About the Composer &#187; Blog Archive &#187; Update from NPAC</title>
		<link>http://rogerbourland.com/blog/2008/05/21/many-voices/#comment-80621</link>
		<dc:creator>Michael Kaulkin: About the Composer &#187; Blog Archive &#187; Update from NPAC</dc:creator>
		<pubDate>Fri, 13 Jun 2008 05:09:04 +0000</pubDate>
		<guid isPermaLink="false">http://rogerbourland.com/blog/2008/05/21/many-voices/#comment-80621</guid>
		<description>[...] Wednesday night: The Colorado Symphony, performing Bernstein, Corigliano and Georgian composer Giya Kancheli. After Bernstein&#8217;s Candide Overture and Chichester Psalms, it was Corigliano&#8217;s Piano Concerto. To my surprise and delight, the soloist was my student in a musicianship class about eight years ago. Pianist Natasha Paremski got a well-deserved standing ovation for her performance of this incredibly difficult piece. Kancheli&#8217;s Styx, for chorus and orchestra was beautiful at times, but overall rather frustrating. There was some reference to traditional Georgian music, a fascination of mine, recently blogged about by Roger Bourland and by me a while back. [...]</description>
		<content:encoded><![CDATA[<p>[...] Wednesday night: The Colorado Symphony, performing Bernstein, Corigliano and Georgian composer Giya Kancheli. After Bernstein&#8217;s Candide Overture and Chichester Psalms, it was Corigliano&#8217;s Piano Concerto. To my surprise and delight, the soloist was my student in a musicianship class about eight years ago. Pianist Natasha Paremski got a well-deserved standing ovation for her performance of this incredibly difficult piece. Kancheli&#8217;s Styx, for chorus and orchestra was beautiful at times, but overall rather frustrating. There was some reference to traditional Georgian music, a fascination of mine, recently blogged about by Roger Bourland and by me a while back. [...]</p>
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		<title>By: Roger Bourland</title>
		<link>http://rogerbourland.com/blog/2008/05/21/many-voices/#comment-80239</link>
		<dc:creator>Roger Bourland</dc:creator>
		<pubDate>Wed, 21 May 2008 23:56:32 +0000</pubDate>
		<guid isPermaLink="false">http://rogerbourland.com/blog/2008/05/21/many-voices/#comment-80239</guid>
		<description>Thanks Michael. Terrific music! Very different examples, yes? I especially loved t the first one.

When I get some time, I'll notate some of the illustrations he put on the board that helps understand the sound of this music.</description>
		<content:encoded><![CDATA[<p>Thanks Michael. Terrific music! Very different examples, yes? I especially loved t the first one.</p>
<p>When I get some time, I&#8217;ll notate some of the illustrations he put on the board that helps understand the sound of this music.</p>
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		<title>By: Michael</title>
		<link>http://rogerbourland.com/blog/2008/05/21/many-voices/#comment-80232</link>
		<dc:creator>Michael</dc:creator>
		<pubDate>Wed, 21 May 2008 20:13:06 +0000</pubDate>
		<guid isPermaLink="false">http://rogerbourland.com/blog/2008/05/21/many-voices/#comment-80232</guid>
		<description>I've been fascinated by Georgian music for a long time, although I don't know much about it.  The notion that Stravinsky had probably encountered this music and that it influenced his sense of harmony is something I'd wondered about, but never looked into.  I would love to have heard this scholar speak.  

If it's all right, I'd like to link to a &lt;a href="http://www.aboutthecomposer.com/blog/archives/108" rel="nofollow"&gt;related post of mine&lt;/a&gt; from a while back, where you can hear two examples of Georgian choral music.</description>
		<content:encoded><![CDATA[<p>I&#8217;ve been fascinated by Georgian music for a long time, although I don&#8217;t know much about it.  The notion that Stravinsky had probably encountered this music and that it influenced his sense of harmony is something I&#8217;d wondered about, but never looked into.  I would love to have heard this scholar speak.  </p>
<p>If it&#8217;s all right, I&#8217;d like to link to a <a href="http://www.aboutthecomposer.com/blog/archives/108" rel="nofollow">related post of mine</a> from a while back, where you can hear two examples of Georgian choral music.</p>
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