I was chatting with a student about the notion of becoming “famous” as a composer. I occurs to me that most “famous” classical composers gain fame in the late 20th early 21st century through writing orchestral music. Chamber music can have regional impact but orchestral music is more crucial. Who am I thinking about? John Adams of course. Philip Glass and Steve Reich to some extent. Elliott Carter who is the godfather of American composers, has lots of orchestral music, but it’s not as attractive to general audiences as John’s is.

In the universities, we have our students write a lots of chamber music. It is pedagogically a good idea and costs less. But we should never undervalue the importance of having young composers HEAR their orchestra compositions, whether through readings, and ideally through performances. Books can only teach you so much. Hearing what works and what doesn’t is vital.

The record bombed

I read from time to time about a recording artist issuing a record that “bombed.” Even singles that get to number 45 in the top 100 chart can be seen as “bombing” but usually meaning that this single didn’t do as well as the artist’s previous “hits.”

Classical composers should be so lucky to “bomb” like pop artists do. Last time I checked, a major orchestra releasing a great performance of a popular classical composition will do extremely well if they sell 5000 copies. [I will update this figure when I find statistics.] Sales on this level will not likely attract producers of POPULAR music.

When I read that Gene Clark’s first solo album after leaving the Byrds “bombed” I was disappointed. I LOVED that album, so it surely didn’t “bomb” for me.

So, the word bomb is a commercial description for “didn’t sell” that does not necessarily imply an inferior product.

Joni Mitchell: Amelia (1976)

Three very different live performances of “Amelia” by Joni Mitchell. It’s not just the hair. Pat Metheny plays in the second one.


[1998]


[1976]


[1983]

LA Fall

Although not as colorful as a New England fall, Los Angeles is having its fall. Santa Ana winds and hot dry weather together with fires along Sepulveda Blvd alongside the 405 have added color to the sky and particulate matter for we breathing types. Jenny and Matias are down for a wedding and staying with us. They have 4 month old Katherine with them. Katy has been a beautifully behaved infant with lots of personality. But she, her mom, dad, and my husband are all suffering from the dry skin from this weather. I guess I’m acclimated to it.

I finished excerpting the numbers from HOMER IN CYBERSPACE yesterday. I’ve decided to not slavishly put the songs up on this blog in their original order, but bounce around. The next song I’ll post is one of the most beautiful: “I used to be beautiful” which turns into “you are so beautiful” in the final duet of the show “My one thing.”

With the economy in turmoil as it is, and the election coming up, and friends and family in tough times, I still find much to be happy about and am feeling generally happy these days. I still have not written a note of music since May and am building up a huge momentum. Starting a new piece today would likely give rise to an UP piece. It’s an exciting build up, like looking forward to a date.

I’m reading a book called THE NOTORIOUS BYRD BROTHERS about the album by the same name. This is one of my favorite Byrds albums, but it was a rocky time for the group. Rick Menck paints an interesting backdrop to the album that adds a new dimension to appreciating that great band.

Mark O’Connor gave a second talk in my theory class on Thursday, and spoke about his music as being “American Music” (I think that was the phrase). He beautifully illustrated various passages in his own music that showed influences from a wide variety of countries.

His evocation of a train was charming. There was the violin as the chuga chuga chuga faster and faster aspect, and the woo wwooooo whistle. This, according to Mark, is American.

I could barely go to sleep the other night after his concert. His breakneck speed on the violin is exhilarating.

I’m back into super teacher mode: correcting 70 assignments every week, a job I will eventually have the TAs help with, but for now, I want to get to know each student’s work habits and musical abilities. Tonight I have 200 more 1st species counterpoint exercises to look at. (1st species just means note against note. You and I sing together on different notes but with the same rhythm, and in this case, all the beats are the same: 1 1 1 1 .) It’s whole note against whole note. Good basis of counterpoint and harmony.

It’s been a while since I’ve graded counterpoint assignments, but my mind grabs onto the task, and it goes very quickly.

The students will all have to do 3rd species counterpoint exercises in their desks for their midterm exams. It seems like a magical ability — writing down music by thinking about it, rather that accessing a musical instrument — but it is one that can be learned, and teaching that ability to students is satisfying.

Mark O’Connor visits UCLA

I’ve finally shaken off the nasty flu that has kept me grounded for the past week. Today in my theory class, violinst/fiddler Mark O’Connor will be visiting us to talk about his life as a musician. He is our School’s first Artist-in-residence and is in many ways a symbol of the kind of musician we are adding to our career models for students — someone who straddles popular and classical musics.

Here is James Taylor, Yo-Yo Ma, Edgar Meyer and Mark O’Connor playing the classic Stephen Foster tune “Hard Times.”

Complementary piano piece

auberg.jpg

One of the pieces I’ve been working on is a piano piece that is to be a companion to the Bach Goldberg Variations. If finally dawned on me as to what would be the opposite of melody and counterpoint: harmony and rhythm. Wow, what an interesting challenge. I’ve always been a melody and counterpoint man but my roots are in harmony and rhythm.

The piece is born!

flu time

I’ve had the flu for four days now. I probably got it in the airport, or airplane coupled with not enough sleep. This time I was a good boy and stayed still at home, with only quick drives to get food. Otherwise my reality has been the achy all over no energy flu. I decided not to take any flu or cold medication and just ride it out to see how it feels. The body aches are tolerable. There is no cure for the virus as far as I know, so my body just has to fight it off, which it will do. We take OTC medication for our maladies, but I can’t help but thinking that sometimes you just extend the recovery time. Maybe not.

Sleep, read, watch a movie, drink liquids all day long with plenty of matzo ball soup from Greenblatts.

zzzzzzzzzzzzzzzzzz

Loving Andy

andy.jpg

I spent the weekend travelling to Andover, Massachusetts and visiting with my brother Andy (Andrew Rhodes Bourland), his wife Jeanne and her three daughters, and his three children of two marriages, two of the three wives, three dogs, and my husband. They have a fabulous home.

As we flew into Manchester, New Hampshire, out the window the fall colors were stunning––reds, oranges, yellows and greens. Jeanne picked us up at the airport and on our way back, we stopped half way to have a lazy afternoon lunch at a restaurant in Salem NH on a back porch with a kind of peach haze sky. A fire burned in the middle of the open air patio. The three of us caught up on news over a lovely bottle of wine and terrific lunch. We were coming especially to visit Andy, who hasn’t been doing so well.

Andy and I first sparred with death when I got the brainy idea of taking a shortcut in the Sandia mountains, up above Albuquerque, mid-afternoon, probably 50 degrees and dropping. We got lost. Every mountain and dry river bed at the bottom looked the same. After a while we heard honking, but couldn’t tell what direction it was coming from. It started getting dark and snow began to flutter down. We decided to stay put, Andy crawled up a hill to see whether he could see anything. I started doing the rubbing sticks thing, hoping I could light a fire. And in reality, I was praying. It got darker and Andy came back down. We sat there is silence for a few minutes, impatiently waiting for the twigs to ignite.

Then, down the other side of the mountain, we saw a ranger coming down the mountain with a flashlight. “WE FOUND THEM!” resounded through the mountains. (Andy and I have fondly remembered that joyous sound over the years.) We could have frozen to death, or be eaten by mountain lions: he in the 1st grade, I in 3rd grade. We were children and we nearly died.

I remember riding along in my parents 1933 Dodge. Andy and I were wrestling in the back when all of a sudden the back door came open and he fell out. “Oh shit!” I screamed. My father, about to belt me for swearing realized that Andy suddenly appeared in his rear view mirror, tumbling, and then getting up and running after us. I looked out the back window and saw Andy running behind the car––”Wait for me! Wait for me!” It broke my heart. Blood was streaming down his face. He was rushed to the hospital and just needed a few stitches and was fine. He could have died.

Andy got cancer when he was 17. This was something like 1971 or 1972. His treatment was to receive radiation throughout his torso and attack the cancer that was attaching itself to his lymph nodes. The cancer was eradicated. He could have died.

He had a thrilling ride through a variety of jobs until he gravitated to online marketing. He founded ClickZ, a highly successful internet company that my husband worked for, and did quite well. He was a major player and sold it at the right time. Since then he launched a number of ventures in his retirement, several are still active.

Despite a couple of heart attacks, a few episodes of low blood pressure, a car accident, and a couple of other scary moments, Andy refuses to engage in the final dance of death with the grim reaper. One doctor said that he really should have died two years ago when his albumin level plummeted.

Two days before 9-11, Daniel Shiplacoff, my partner–now husband, came down with bacterial meningitis and fell into a coma. After the 2nd day of not waking up and hearing that he may be dead or permanently brain damaged, Andy called me and left a message that he would fly out to LA to be with me during this difficult time. I was such a mess, I didn’t called him back that day. He almost flew out anyway, but at the last minute decided to wait. Had I called him back or had he decided to come anyway, his plane would have crashed into the World Trade Center on 9-11. He could have died, coming out to be with me in my time of intense grief.

Over the past year, his health has taken a turn for the worse. I don’t need to go into details, but to make a long story short, those radiation treatments have come back to haunt him. There is quite a bit of damage internally that is only lately showing up. There is little that hospitals can do for him at this point. He finds that they exhaust and depress him. Being at home is much better. He has his family, his home, his dogs, his life, and a nurse who will be there in a moments notice. He will go to see doctors, but no more hospitals.

I turned on the Science Channel after Andy went to bed one night. It was about the 11 dimensions of reality and Stephen Hawking was one of the main speakers. A factoid that came out of the show was that Hawking has had two divorces, and lived 45 years longer than doctors originally predicted. Andy’s doctors won’t give a figure.

Whatever happens, and what is so inspiring, is his knowledge that death is closer. And he is very at peace with that possibility. He has family visiting him every week, one at a time, over the next couple of months. The family decided that this is much easier on everyone––like a time-release family injection, rather than overdose and withdrawal/death.

Andy is an amazing survivor and brother. His beautiful blue eyes are like beacons of life and light, lights that will not dim easily. The energy and will to live pulse through him with the same conviction he had when he ran after us shouting “Wait for me! Wait for me!”

andy-and-bo.jpg

[Top photo of Andrew Rhodes Bourland by Roger Bourland (ca.2002) Bottom photo, Late night photos of Andy (left) and Roger (right) on a smeary iPhone.]

moorea-sunset2.jpg
Moorea at sunset

The trickiest part of setting these lyrics for me was setting the name “Penelope” and saying “I love you.”

No One to Wait For
Music: Roger Bourland
Lyrics: Mel Shapiro
The Captain: Patrick Logotheti

No one to wait for
No endless longing
No one to worry for
Just someone belonging
To you

Someone who’s really here
Here at your side
Whispering in your ear

I love you,
Penelope
I love you,
So much

I love you
Penelope
Here and now
This I vow

I’ll be here
Always.

No one to wait for
No endless sadness
No one to worry for
Just a sweet gladness
With you

Someone who’s really here
Making you strong
Holding you near

I love you
Penelope
I love you
So much

I love you
Penelope
Here and now
This I vow
I’ll be here
Always.

© 2008 Mel Shapiro and Roger Bourland