From the category archives:

Music by Roger Bourland

Visit to Havana, November 2015

November 18, 2015

I was approached by Parma Recordings about participating in a musical project involving eight composers going to Cuba and working with Cuban musicians in having their works performed and recorded. I initially was disinclined but my guardian angel and spouse Daniel Shiplacoff convinced me to go for it. I was to work with Wilmia Verrier […]

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I’m doing homework for Mitchell Morris’ and my new opera, FRIDA AND THE SMOKING MIRROR. The seven characters are Frida Kahlo, Tezcatlipoca [pictured above] Diego Rivera, Isamu Noguchi, Josephine Baker, Leo Eloesser (Frida’s doctor) and Leon Trotsky. I have made a rough decision on who is what range, but I wanted to see what I […]

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La Paloma y el Ruiseñor (Spanish subtitles) La Paloma y el Ruiseñor (English subtitles) Premiere performance of LA PALOMA Y EL RUISENOR (2014) Music by Roger Bourland, Libretto by Mitchell Morris, Spanish adaptation by Placido Domingo Jr, and additional orchestrations and adjustment to the Spanish setting by Scott Dunn. Composer: Roger Bourland Libretto: Mitchell Morris […]

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Press conferences

May 23, 2015

Raúl Rico coordinated several press conferences for the opera. I was delighted to learn later that the premiere was widely publicized throughout Mexico. Scott Dunn and I had one interview with Raúl Rico as our faithful translator. (This has inspired me to become fluent in Spanish so that I don’t ever have to rely on […]

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Meta meta

February 5, 2015

My spouse kept telling people that my opera was a “meta opera” and by that, he meant: • this is an opera about an opera singer (Angela Peralta) • an opera that takes place in Mazatlán and that will be premiered in Mazatlán And there was another one. Act 1 involves a ship ride from […]

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[The next group of posts were written after the premiere of the opera.] Opera director and friend Peter Kazaras insisted that I meet with the singers as early as possible. As our performance was a combination of students and faculty it is especially important to have that early meeting. Peter explained that singers internalize their […]

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I have been blessed in my recent collaboration with pianist, conductor Scott Dunn who will be conducting the world premiere of my opera, La Paloma y el Ruiseñor at the Teatro Angela Peralta in Mazatlán, Mexico on November 14 and 15, 2014. Having scored several feature films, I have learned the value of “cutting”——this happens […]

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A handheld private recording made by someone, but you’ll get a glimpse into the talent of Armando Piña performing in a recent competition who will be premiering the role of Julián in LA PALOMA Y EL RUISENOR, at the Teatro Angela Peralta; Nov. 14, 15, 2014 in Mazatlán, Mexico. The work Armando performs here is […]

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I had the honor of working with a most brilliant soprano on the faculty in Mazatlan, Penelope Luna, who will play Rosa in LA PALOMA Y EL RUISENOR. I made a number of adjustments for her voice and talent. And after I heard this Gliere performance, I felt free to go even higher! You will […]

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Channeling a countermelody

October 1, 2014

Many of my faithful readers know that I channel dead composers from time to time. Well, not really, I pretend to and it makes for a good read. But something eery happened recently that was very likely channeling something or someone. And I have a witness. Conductor, Scott Dunn sat with me for several days […]

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